The capacity for great storytelling within the African American community has long existed, but the economics have been restrictive in the high-cost, high-risk world of making quality television, plays and movies. But more and more, we are seeing an increased number of Black professionals working behind the scenes and at executive levels across the entertainment industry, and they are stewarding a variety of film, television and theatrical projects from concept to completion.
With the recent successes of Ava Duvernay
(African American Film Releasing Movement), Will Packer (Rainforest Films),
Shonda Rhimes (Grey's Anatomy and Scandal), Suzan Lori Parks (Top Dog / Under
Dog) and Mona Scott-Young (Love and Hip Hop), there are many signs of an
increased appetite for interesting, diverse and relevant content, which should lead to a surge in projects that reflect the wide-ranging
dynamics of African American life.
With the recent successes of Ava Duvernay
(African American Film Releasing Movement), Will Packer (Rainforest Films),
Shonda Rhimes (Grey's Anatomy and Scandal), Suzan Lori Parks (Top Dog / Under
Dog) and Mona Scott-Young (Love and Hip Hop), there are many signs of an
increased appetite for interesting, diverse and relevant content, which should lead to a surge in projects that reflect the wide-ranging
dynamics of African American life.
History speaks to this fact. and we know that, when given an opportunity to actualize and be
expressive, Black people have made a profound and distinctive impact on
American culture - - most notably the Harlem Renaissance; the Black aesthetic
movement in mid-twentieth-century Chicago (Chicago Black Renaissance); not to
mention Jazz from the 1920’S thru the 1940’s; the Motown movement in Detroit during
the 1960’s and 70’s and the Rap /Hip Hop movements that began in the mid - late
1980’s.
There are also a few other factors that create an interesting dynamic for African American
expansion in the indie world. One is population changes and the other is
production costs. Here's a little detail on that.
According to
a recent CBS News report , from the years 1910 – 1970 more than 8 million Black
people left the South to escape the lash of Jim Crow and headed North,
establishing strongholds in cities like Chicago, Detroit, Cleveland, Pittsburgh
and New York City. As reported from the 2010 census, the trend seems to be
reversing as a number of African Americans have returned to their Southern
roots. Consequently, 54.7% of the Black population in America is now in the
South. What is also notable is an increasing number of these citizens and others
who are visiting sites that are linked to that often difficult Southern
past. It has been called African
American Heritage Tourism and "It's the second-fastest-growing market
segment of tourism," said Rich Harrill, director of the University of
South Carolina's Institute for Tourism Research. So with this trend, you have a
larger concentration of Black people in the South and their cultural appetites
are widening.
Add to that
the significant advances in camera and audio recording technology coupled with
subsequent decreases in acquisition costs of other production resources, there
is compelling evidence to support the idea of an emerging cultural boom over
the next few decades.
Yes, America
it's here! There is an emerging American Renaissance in the world of Black
Film, Television and Theater. Consequently, this blog will highlight some of
these African American independent film, television and theater professionals
and their projects across the United States.
Our goal is
to encourage increased patronage, promotion and investment in the industry
segment, by introducing audiences to the world of independent
storytelling. We suspect that this could be the beginning of the best period of Black Film, Television and Theater in the history of our
country...so stay tuned.
You can also
see daily updates at out Facebook page
at...

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